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Technical Rider for Voices of Native America Tour Full Band/Troupe performance 
(16 performers)
or
  Douglas Spotted Eagle when he is performing with his band and dancers.

1- Guitar Amplifier-Peavey Stereo Chorus, Fender Twin Reverb, or Roland JC120 or approved equivalent
2 -Guitar Stands
1 -Bass Amplifier-Peavey Combo 300, Mega Bass, w/410 cab, or approved equivalent
Drums-Tama, Yamaha, Drum Workshop 5 pc kit, consisting of snare, 12”, 13” rack toms, 18” floor tom, 22” Kick drum, 4 cymbal stands, 1 highhat stand, Drum throne, extra snare, extra snare stand. (kick drum front head must have hole cut for miking purposes)
Conga Set w/stand 1 quinto conga, 1 conga (Latin Percussion preferred)
Stand mounted toms, preferably 14" and 16"
2- Risers w/carpet, measuring not less than 6’X4’x18” /skirted (if other risers are available, we’ll use them as well)
1- Riser w/carpet, measuring not less than 6’X4’x24” /skirted
2 Bar stools preferably w/o padding on seat
1 Electric Fan for Drummer
2 tier Keyboard stand (Ultimate Supports Delta model HIGHLY preferred)
Large volume fog machine or 2 small volume machines w/ 20' remotes (Remotes are REQUIRED)
video front projection system w/lenses long enough to throw length of venue (may be projected from Orchestra Pit, upstage area, or flown behind master drape)
video playback unit (VHS or 3/4 Beta) input to projection system (please notify Native Restoration in advance if 3/4 Beta is required)

The Voices performance prefers a sound check at 3:00 p.m. for an 8:00 p.m. performance, for a period of not less than one hour. Troupe Load in should therefore be accomplished by 2:00 p.m. (lights and sound previously set. Our Tech Director will arrive at least 2 hours prior to band load in)

House Sound system
1. House console. A MINIMUM of 24 inputs,28 or greater highly preferred, 3 post fader FX sends, each channel having parametric EQ
Patch points or inserts
Low/High Pass filters
Mute

(click HERE for input/monitor/processing chart)

(click HERE for stageplot)
2. Microphones

The cast of VOICES proudly use AUDIX headset and instrument microphones!
14 mics w/12 boom stands
1 short boom stand(kik drum)
1 short stand (guitar amp)
8 direct boxes
3. House power amps/speakers
House system shall be tri-amped/biamped capable of providing 106 dB(peak) at mix position. System must be clear and free of hum, buzz, or other noises while no signal is present. Bass cabinets MUST include a minimum of 15" drivers.
4. Monitors
System shall have 24 inputs with a MINIMUM of 4 individual mixes. Each mix shall have separate 1/3 octave EQ, a minimum of 200 watts per enclosure. Each monitor speaker to consist of minimum/one 15” driver w/horn. Monitor engineer MUST have clear and unimpeded view of ARTIST at all times. Artist provides Garwood UHF in-ear monitoring system for Douglas Spotted Eagle only. This in-ear monitor receives mono input from monitor console, balanced/XLR/Lo impedance line.

Artist also provides Audio-Technica UHF wireless/AUDIX Headset microphone for front/downstage mic positions. These are channel adjustable for various regions.  We must keep downstage free of visual obstructions.
5. Signal Processing
1 studio quality digital reverb

1 studio quality DSP w/delay, chorus, reverb, etc. located at house console (SPX 90, TRS 24, etc)
2 compressor limiters (One stereo)
House system to be equalized using minimum 1/3 octave eq per side.
1 CD player to be inserted into house system, secondary feed to stage monitor system.

1 DAT machine to be connected to house buss output for recording of live show. Recording to be at 44.1K on 120 min DAT's
6. Headset system connecting Stage manager with all lighting, sound, video, backstage left/right, and pinrail personnel.

Lighting requirements for Voices of Native America Full Troupe Performance*If venue is equipped with theatre lighting (Fresnels/Leko's) please contact us so that we might indicate lighting requirements.

2 Spotlite operators/spotlites

Programmable Lighting board w/minimum of 24 scenes

The backdrop is a dead hang, tied in 3 sections. End sections are 24' by 15' and the middle section is 24' by 30'. The two end sections may be hanged as legs in the event that venue stage area cannot accommodate the total width of scrim on one hang or if borders/legs are not available to mask offstage areas.

Pyrotechnics in the form of prepackaged devices are used in the show, they are indoor rated Class C devices, pre-measured, packed, and sealed from Le Maitre. Aero technics are powered by CO2 cartridges, weighing in at 25 grams each.

Venue is responsible for obtaining any and all permits  (if) required for pyrotechnic devices.

 

Company shall arrive at venue providing:

3 Wireless headset mics w/transmitters and UHF receivers

Garwood in-ear monitor for Douglas Spotted Eagle

Backdrop 55'X24'

Videotape for multimedia

Pyrotechnic/aerotechnic devices, triggers, cabling

All monk's costuming, dance regalia

Questions? Contact Voices of Native America representative

Presenters Page *****School/Native Rites Rider *****Spotted Eagle Solo Rider

Any technical stage/sound questions should be addressed to Native Restoration. Lighting questions should be directed to t.j. MacGregor 435-882-8494 or emailed to info@spottedeagle.com

Information may be mailed to:

Native Restoration
PO Box 3
Stockton, UT 84071
FAX 435-882-8508