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6 Grammy Nominations in 9 years out of this studio! 2 Grammy wins!
Native Restoration
(A Grammy-winning production facility)
     Tucked into the mountains of rural Utah is a recording studio that specializes in ethnic music for record companies, film and television broadcast, and music libraries. The studio features state of the art recording equipment, a floated tracking room, 32+tracks of digital audio, automated mixing, hard disk recording/editing, time-lock for film and television, encoding systems for the internet, and much more.
     Higher Octave/VIRGIN (formerly w/Windham Hill) recording artist Douglas Spotted Eagle  has recorded all of his projects for film, television, and publicly released records at the studio. You can see a list of many of his credits on the "Projects" page. The studio features 2 audio rooms and 2 video suites.

Tascam MX2424 and DA88 machines handle the digital inputs, coupled with non-linear hard drive editing/backup systems, interfaced with MAudio and Echo Electronics.

Studio "A"

(Studio A has undergone an extensive refit, no photos available at this time. Room isolation/absorption design by Auralex)

Clients include: Windham Hill, BBC, Narada, Higher Octave, CBS, HBO, Turner, Disney, Showtime, TNT, PBS, Universal, Epic, Capitol, BMG, Fox, Warner Brothers, Ed McMahon, John Woo, Robbie Robertson, John McEuen, Craig Chaquico, William Aura, Brian Keane, Utah Jazz, and more.

Studio B not pictured

Studio B features Mackie Control w/1 XT, Mackie 624 monitors, and M-Audio monitors, with Hardy pre's, Sony's Vegas, Cakewalk SONAR. Echo Layla and Firebox I/O. 16 channels of direct control, 256 channels of virtual. Room tuned by Auralex.

The studio rooms feature:

The studio has entertained and produced over 200 powwow recordings, over 100 film and television projects, and has won Grammy,  Telly awards, and several industry awards. We were also nominated for an Emmy in 1996 with HBO's "PAHA SAPA" a story of the Black Hills of South Dakota, and the series for PBS, "THE WAY WEST" earned an Emmy and Peabody Award.. Native Restoration only takes on special projects, and is not for general public hire. We are always interested in hearing what clients have in mind. Ethnic projects are our specialty. Certain selected ethnic projects are recorded or produced for little or no cost. Call for a rate.
Being nestled in the hills of Stockton, Utah, makes for a very intimate setting. There are 2 guest rooms on site for over nite visitors, with a Best Western, Comfort Inn, and Hampton Suites hotels less than 20 miles away. Horseback riding, hiking, mountain climbing, mountain biking, and general peace and quiet are found at this studio in the west desert.

 

Video Suite "A"
  • John Hardy M-1 Mic preamps, (The best non-sounding pre in the world, we think!)

  • Digitech VTP Preamp

  • Tascam DA-88 tape machines w/Apogee 1000 converter & Midiman Flying COW converters

  • 40 channels of Mackie Control/XT

  • AVID Express 3.5 video editing software

  • Adobe Premiere Pro

  • Vegas Video 4.0

  • After Effects 5.5

  • 6 NLE audio stations w/CDR/RW/DVDR  (PIII 1 gig or faster in each room)

  • Ulead Media Studio 7.0 video Editing Software

  • REEL, Ulead, and Sonic Foundry DVD authoring software

  • Canopus REX-RT

  • Pinnacle Pro 1

  • CakeWalk, SONAR3.0, software

  • Sony's VEGAS, Sound Forge, Architect, ACID, Waves Plug-ins, Digidesign ProTools Sound Editing Software

  • M-Audio Delta 10/10-(5)

  • Midiman 8x8 midi/SMPTE box (2)

  • Echo Audio Mona, Layla

  • Lexicon 300, Digitech TSR 24 verb (2) Alesis Microverb (3) DBX 1066/166 compressors (2) Peavey VTC Tube compressor, Alesis 3630 compressor (2) Aphex quad compressor, Digitech DSP 256, BBE processor, many older lo-res DDL/Verb boxes available as well. All Cabling Canare/Mogami oxygen free

 

  • M-Audio SP5B monitors in 5.1 surround
  • Mackie 626 w/1801 sub woof/ 5.1 surround
  • Genelec 1029 monitors in 5.1 surround
  • AMR 2112 Far field monitors (soffit mounted)
  • Korg Trinity, WaveStation, O1WR, M3R, M1R, Roland JV-880, Yamaha DX-7, Alesis S-4, D-4, D-5, Emu Proteus World, Procussion, Proteus 1, Akai CD-3000 XL Sampler, Ensoniq ASR-10 Sampler.
  • Peavey DPM C-8, DPM 4, DPM SI controller keyboards.
  • Pintech Electronic Drum pads for percussion control both acoustically and via midi. Spot also tours with these drums.
  • All power provided by Equitek power distribution system, balanced and cleaned.
  • Very large selection of mikes from Audio Technica, Audix, B&K.
  • 2-21" Visual monitors for cues-to-film
  • 4 13"Sony monitors for video editing
  • 2 Sony 8200 8" vid monitor for portability
  • 2 Sony 5" TFT battery powered monitor
  • 2.5 Terrabytes of storage over a dual SCSI 320 LVD system from Adaptec
  • 700 sq ft control room 150 sq ft floated tracking room, 400 sq ft tracking area (not floated)
Video Suite "B"
John, Josh, Ron, Spot, Brian, Jim...........Part of the crew at Native Restoration.

Our crew has changed substantially since this photo was taken, however out of respect for both Joshua and Ron, (who have passed on) we leave it for all to see.

Our 400 sq foot, floated tracking room, built of sand-filled cinderblock, masticked together, with 2 layers of air separated drywall, 1 layer Celotex, and finally, 3/4 cedar offset by tracks 1/4" thick for isolation. This room floats on rubber mounts, and is separated from the two control rooms by approximately 1" in all directions.